Tag Archives: intersectionality

Policing Black Women’s Emotions and Opinions

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The bigger picture framing Nicki Minaj’s frustrated tweets about the VMAs.

Nicki Minaj at the 2010 VMAs. (Photo Credit: Philip Nelson / flickr)

Nicki Minaj at the 2010 VMAs. (Photo Credit: Philip Nelson / flickr)

I’ve said before that there is an unwritten code of conduct that Black women must adhere to in order to be taken seriously, listened to, or even allowed to live.

Most other people will quickly claim it’s the attitudes of Black women that causes us to be dehumanized, but that is untrue. Even when we’re being polite, any disagreement from Black women is treated as aggression. So where and when are we allowed to speak up if we’re being mistreated, when everything we say is considered an attack?

On Tuesday, rapper Nicki Minaj took to Twitter to vent about the VMA nominations. Nicki is by far the most popular female rapper out there right now. She has found major pop success as well. But she has always been very vocal about how Black women in the music industry often don’t get the recognition they deserve for their work.

She’s no stranger to the way the public sees her (and other Black women) either, so in her tweets on Tuesday, Nicki Minaj states plainly her disappointment at her record breaking video for Anaconda being snubbed for Video of the Year. Nicki points out that although her video was a viral success, broke Vevo records, and was even parodied on the Ellen DeGeneres show, her video did not receive a nomination. She also points out that her video was a celebration of women’s bodies, but it seemed that this type of celebration was only acceptable on thinner artists.

Then this happened.

Within the hour, articles popped up all over the internet about a “feud” between the two women, stating that Nicki Minaj had attacked Taylor in her tweets, even though Taylor Swift’s name wasn’t mentioned once, nor had Nicki been malicious towards other artists.

Nicki, in her own words, was pointing out where she saw how misogyny played a part in who was considered worthy of accolades and who was looked over. She was pointing out a complex problem in the most direct way possible. But it seemed that the media wanted to skip over her entire point and instead focus on a non-existent feud between the her and Taylor Swift.

Taylor Swift’s tweets did more than just derail a real and important point that Nicki Minaj was trying to make. Aside from being the most obvious case of a hit dog hollering, Taylor’s tweet demonstrated a huge issue that mainstream White Feminism has when it comes to dealing with Black women and other People of Color.

They don’t get that our experiences are different from theirs and often try an chastise us for perceived slights against them, while ignoring the real ones we face. Although Nicki Minaj’s tweets are a criticism of the VMAs, Taylor tries to make it seem as if Nicki is “pit[ting] women against women” for simply speaking about her experience as a thick and Black woman in the music industry.

Instead of understanding that Nicki’s experience as a woman is different from what her own might be, Taylor instead falls back to a very narrow — and White — view of what life is like as a woman.
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The Oscars and the Pitfalls of White Feminism

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After the initial controversy about the lack of diversity in the nominations for the Academy Awards, you would think that the awards show and everything associated with it would have done a better job of keeping away from controversy. Yet it seems the opposite.

Despite their extensive advertising coverage featuring videos of Lupita Nyong’o, Kerry Washington, and Viola Davis being their elegant selves at previous shows and rehearsal recordings — as if to say “Hey! We do have black friends!” — it seems that the show couldn’t help but make one misstep after another. The host, Neil Patrick Harris, opened the show with a very awkward attempt to make fun of just how White this year’s nominees were, and later on baited David Oyelowo into making yet another unnecessary joke about Quvenzhané Wallis’ name. Sean Penn also made an extremely racist joke about Mexican director Alejandro González Iñárritu that would not have been made about any European, British, or Canadian nominees.

Another terrible incident that happened was some of the comments made about one of the attendees. In an Oscars Pre-Show, Giuliana Rancic made comments about the faux dreadlocked hairstyle that actress Zendaya wore for the awards. In her comments about the actress (which was later revealed to be actively scripted) Giuliana stated that Zendaya’s dreads made her look like she smelled of “weed and patchouli.” Giuliana later apologized for her statements after Zendaya released a statement addressing the disparaging comments. This comes just weeks after several blog posts praising Kylie Jenner and her faux dreads as edgy and innovative.

Although the aforementioned incidents are ghastly themselves, another incident is equally offensive though it tried to hide itself in a positive speech. Patricia Arquette during her acceptance speech called for wage equality for women, a speech that excited many of the folks watching. Backstage, when she received the award and was asked by the press to elaborate, Arquette stated that “men who love women, gays and people of color that we’ve fought for need to fight for us now” (video). She didn’t explain who “us” were, but in her initial speech she was speaking about wage equality for women and in the press conference she seems to be listing the people outside of that group who she believes should be allies, so it’s not a huge leap to assume that in Ms. Arquette’s mind she was referring to White women.

Pictured: Patricia Arquette, file photo. (Credit: HeartTruth.gov / Wikimedia)

Pictured: Patricia Arquette, file photo. (Credit: HeartTruth.gov / Wikimedia)

I’ve written before about what does and does not get to be seen as Women’s or Feminist issues in society, and this is a new case of that classic problem. Wage equality for women is definitely a challenge, but to say that gays and people of color “need to fight” for wage equality ignores the fact that they’ve been doing it all along. Solidarity is important, but you add insult to injury when you ask people who are already working towards change to work harder. Calling for solidarity makes sense, but it’s insulting to demand solidarity from those already showing it and from those who are themselves part of the movement.

Moreover, Women of Color have always had a particularly strong disadvantage when it came to work and wages. Even today Black, Native American and Latina women make less money than even White women, earning $0.64, $0.59 and $0.54 respectively for every dollar a White man makes. In contrast, White women make a total of $0.78 per dollar a White man makes. While that still is unequal, it doesn’t make sense to turn around and tell those less fortunate to help you make it to the full dollar when you may or may not have helped them get only halfway there and seem to believe their struggle is complete.

It’s a shame. In the year 2015, Women of Color, especially Black women, are still not considered part of the movements that should include us. Our fashion and style is considered unique and interesting only when it’s not on our bodies, and our hard work is only used to help folks with more than us to get ahead while we suffer in the background. This shouldn’t be happening — not in media or in any other fields we get into. It’s a shame. It’s a travesty. And it needs to stop.

Black Wall Street: We did it by ourselves and were punished.

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When Black people and other People of Color speak out about the lack of representation for them in any medium there is usually a lot of pushback. Replies range from pointing to the one example of non-White representation they can find, to the more extreme and exclusionary “If you want to be represented, make it yourself!” The latter is an interesting piece of advice, but it’s entirely too simple.

Moreover, it ignores the fact that Black people have for many years have been doing just that, only to then be punished for it. Throughout history, in instances where Black people in the U.S. tried to make their own place in society, they were met with extreme opposition.

In Memphis TN in 1889, because the success of his grocery store was taking Black customers away from the competing White-owned grocery across the street, Thomas Moss was lynched.

In 1923, the town of Rosewood FL, a primarily Black town, was destroyed after a rumor was spread that the town was housing an escaped Black prisoner. In both cases, and in many other instances of lynchings or any attack on Black communities, the Black victims were attacked because White people were uncomfortable with the idea of Black Success — or even Black Self-Esteem and Assuredness.

The bombing of Black Wall Street (otherwise known as the Tulsa Race Riot) is a textbook example of the results of this discomfort. In the early 1900s, the city of Tulsa began to grow at a rapid pace. By 1921, just after the first world war, the city was already going through its second oil boom.

The Black neighborhood of Greenwood, although not oil-rich, was prospering in its own right. Segregation meant that the Black residents could not patronize most place outside of the area, but they could own businesses, homes, and more in Greenwood. They did so, establishing good businesses by the hundreds. The neighborhood flourished and became a center of Black affluence, earning it the nickname “Black Wall Street.”

Then, predictably, in May 1921, there was a crime reported. A young White woman was assaulted, and the assailant was said to be a young Black man. The young man under suspicion was arrested and, shortly after the rumors of the events spread, a mob of angry and armed white men decided to take matters into their own hands. They were met by a counter-mob, of Black men, and then the confrontation escalated when shooting broke out.

By the next morning, on June 1, Greenwood had been burned almost to the ground, and up to 300 people were killed. Residents even reported that planes had gone over the neighborhood and dropped crude bombs on businesses and residential buildings. Troops were deployed to try to restore order, but it was too late. The destruction left many of the residents homeless and living in tents for almost a year.

Postcard in the collection of McFarlin Library, University of Tulsa, showing the fires the day after the destruction of Black Wall Street. (via Wikimedia)

Postcard in the collection of McFarlin Library, University of Tulsa, showing the fires the day after the destruction of Black Wall Street. (via Wikimedia)

There is a lot of speculation on what the actual motivation behind the attack was. Although it was initially stated that it was because of the alleged (and later dismissed) attack of the young White woman, there was already high racial tension before then. White residents’ membership in The Ku Klux Klan had grown rapidly in the few years before the attack, and many of the White people in the Tulsa neighborhoods just outside of Greenwood were poor.

Seeing the neighborhood just next door doing so well probably made the already existing tension even worse. The initial accusation of an assault on a White woman by a Black man was a common trope in, and racist excuse for, lynchings or attacks on Black neighborhoods that were doing well economically in the South.

Whatever the motives behind the attack were, this is still a horrendous moment in U.S. history. Although the neighborhood was able to eventually rebuild itself over the next five years, it still goes to show that even when Black people are able to build their own communities, there is still the threat of people on the outside destroying everything.

Maybe instead of the emphasis just being on Black people “making their own” there could be an equal emphasis placed on others not destroying what we do make.

American History: Ida B. Wells and Intersectionality

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If you’ve been on Facebook for more than 5 minutes, you’ve probably come across one of two specific types of articles: the “Is Beyonce/Nicki Minaj/Rihanna a Feminist?” article — which criticizes those celebrities, usually for their scantily clad music video performances — or the “Why Lady Gaga/Miley Cyrus/Katy Perry is a Feminist icon” article — which lauds those celebrities, usually for their scantily clad music video performances. These two article types are very popular, especially after major award shows or the release of new music videos.

But the thinly veiled racism behind who gets to be a Feminist Icon, and whose feminism gets questioned has been receiving a lot of pushback on other social media sites. Women of Color are especially vocal, pointing out that much of mainstream feminism ignores the intersections that race, class, sexual orientation and gender identity play in the lives of anyone other than White women.

This fight isn’t new. In fact, Black women in the US have been talking about the intersection between race and gender for a very long time.

ida-b-wellsOne woman who was a very outspoken voice for the rights of Black women was Ida B. Wells, a writer, businesswoman, activist, and suffragette. Ida B. Wells’ work is often framed around race, not just because she was such an outspoken anti-lynching advocate, but also because she was not afraid to speak against the racism she saw happening in the female-dominated Suffrage and Temperance movements for women’s voting rights and alcohol limit laws respectively.

Wells was especially vocal about Frances Willard, a prominent figure of the Women’s Christian Temperance Union. Willard used racism to try and sway US Southerners towards Temperance and Suffrage. In order to gain Southern support Willard played to their fear of Black economic success, stating that liquor was at the center of it. Willard also claimed that liquor caused Blacks to be aggressive, which could endanger White women and children.

At the time, Black men purportedly being dangerous and aggressive was the reason given for lynchings in the South, but after tireless research and personal experience, Well’s had already known that Black economic growth was one of the main reasons for the lynchings. Wells also knew that Black women as well as Black men were being lynched in the South. In 1893, while both Wells and Willard were on tour in Europe, trying to garner support for anti-lynching and Temperance respectively, Wells exposed Willard’s racism to Europeans who previously couldn’t believe Willard would do such a thing.

This wasn’t the only time Wells had to deal with racism in women’s movements. In 1913 during the World Suffrage Parade, Black women were asked not to march in the parade with White Suffragettes because of fear it would set back progress Suffrage had made with Southern states. Instead, Black Suffragettes were asked to march after several other groups. Although many of the Black Suffragettes agreed to the segregated march, Wells did not. Wells initially was going to boycott the parade, but instead waited in the crowd and joined the parade after it started, making sure to join with the White Suffragettes.

Although the idea of intersections in Feminism may seem new, in reality it isn’t. And although many will tell you that the relationship between major Feminist movements/activists and Women of Color has gotten better, it hasn’t. Wells was considered a “radical” in her time by bothering her contemporaries in issues of race and gender, many of whom disliked the way she fought for her causes — or the fact that she spoke up at all about the issues that she faced as a Black woman.

Nowadays, with the rise of blogs and the internet generally, Black women are given far more access to spaces where they can speak about their issues with people who aren’t aware — and also with each other. The downside, of course, is that with this new access also comes new opposition. But despite all of that, Black women still speak out, just as Ida spoke out.